nenena: (W.I.T.C.H. - Irma rocks)
Every now and then Marvel actually manages to use their marketing to successfully hoodwink even their most cynical comic-reading audience. Which is exactly what happened with the lead-up to Schism and I kind of love Marvel for it.

And now for some linkspam: DC's New 52 covers as re-imagined by independent cartoonists. Hat-tip to the always fabulous Project Rooftop blog for the link.
nenena: (Devi - Isana)
Wonder Woman is

1) awesome, and

2) the only female comic book character to have had her monthly comic book series more-or-less uninterrupted since 1941.

That's a pretty big freakin' deal.

Not that most of us would know that, of course, since Wonder Woman has been re-numbered at least twice (possibly more than twice?) over the years. But anywhoo, the upcoming issue #45 of Wonder Woman is actually going to be the six hundredth issue of her series (!!!!). And, in recognition of this utterly-amazing-when-you-stop-and-think-about-it anniversary, some fans have asked Dan Didio to please re-number WW #45 as WW #600, in order to give Diana the recognition that she deserves. DC has repeatedly stated that they consider Wonder Woman an iconic character on the same level as Superman or Batman. And, well, Superman got his monthly Action Comics title re-numbered specifically to recognize his milestone anniversaries, so doesn't Wonder Woman deserve the same?

Thus Didio said, "Send me six hundred postcards, and I'll make it so."

And boy, did he get postcards. Here's the official weekly tally so far. But there aren't six hundred yet. We still need moar!

So if you have a postcard, a stamp, and thirty seconds of free time, please consider helping out. Send a postcard with "Wonder Woman issue #45 should be renumbered #600" or some similar message to:

WONDER WOMAN #600
c/o Dan DiDio
1700 Broadway
New York, NY, 10019

More information: Amazon Princess blog | Westfield Comics blog

(No, I don't have a Wonder Woman icon, so here's some Devi for y'all instead.)
nenena: (Default)
I saw Speed Racer this weekend. About an hour into it I wanted to kill myself. I had a migraine for like 48 hours afterward. That movie was not only bad, but apparently it was also bad for my health. For the record, the only other movie that ever gave me a massive pounding migraine was Peter Jackson's King Kong. I didn't like that movie either. And it wasn't because of the migraine, which didn't settle in until about thirty minutes after the end credits rolled, but because it was just. plain. bad.

Now, here's an annoyance of mine. Over and over again, I see reviews calling Speed Racer a "live-action cartoon." And calling it the first of its kind. "The closest thing I've ever seen to a live-action cartoon," blah blah blah.

Clearly these plebes are incredibly fortunate sadly misinformed, because the title of the closest thing I've ever seen to a live-action cartoon is won, hands-down by.... )
nenena: (Devi - Is it stupid in here)
Via Mangablog:

This.


Apparently it's PR for Final Crisis that was sent to some bloggers... including, for some baffling reason, Mangablog. (Edit: Or maybe Brigid re-posted it from [livejournal.com profile] scans_daily, I'm not sure.)

Tell me, what's wrong with his picture?

I'll start. )

Edit: The rest of Grant Morrison's Japanese superheroes. Yeah wow holy shit. Where to even begin? First there's this gem:

Japan has embraced every aspect of the superhero culture, chewed it up, spliced it together, and incorporated the result into its own hyper-accelerated pop media landscape.


1. Same as the quote that I deconstructed behind the cut. Wow.

2. Obviously "the superhero culture" means exclusively American comics, since all of the superheroes listed are "hilariously" derivative of American superheroes.

And again with the assuming that "superhero culture" is foreign to Japan to begin with. Hint: Cutie Honey is older than Wolverine. She also rocked the boob window for years before Power Girl was even created.

3. "Hyper-accelerated pop media landscape"? Seriously? From a country that produces more iyashikei and slice-of-life anime per quarter than it does science-fiction or giant robot shows? Really?! Oh no, that's not a dumbass stereotype of Japan at all.

Western motifs are chopped up, collided and spliced with manga fetish wear, Sailor Moon meets Batman, Mecha-Wonder-Woman, Lolita Undertaker Zatanna girls.


What in the world is manga fetish wear?!

And again with the only listing American superheroes as examples of "superheroes" in the first place.

Let's [...] take a look at the original Japanese superhero team.


AW HELL NO. Okay, granted, the leader of the "original Japanese superhero team" is an Ultraman rip-off homage, so at least we're finally getting some recognition of iconic Japanese superheroes. But then he's immediately followed by a Silver Surfer, a Human Torch, an Aquaman, and then (thankfully) a Patlabor homage. Look, I'm not just saying that these are Silver Surfer/Human Torch rip-offs, it's actually stated in Morrison's notes. With the exception of the Ultraman dude and the Patlabor thing, I suppose we're left to believe, then, that "the original Japanese superhero team" is almost completely derivative of American superheroes because of course the Japanese don't have enough superhero icons of their own! At least, not in the fictional DC universe they don't. Nope, this whole "superhero" thing is something that they had to "co-opt" from Americans.

And I'm not even touching the parts of the descriptions that read "just like Pokemon!" and "just like the emo boys in Akira!". Ugh.

Finally, there's this jaw-dropping shit. I cannot even touch that. I'm not even going to try. Luckily Filby already analyzed it six ways to Sunday, so you can go read that post.

Wow. Grant Morrison, is this how you research another culture before you portray it in your works? Suddenly I'm starting to feel nervous about your Mahabharata project. Very, very nervous.

Edited to add: One more link of interest, The Sooz versus a hyperventilating Morrison fangirl. Popcorn is on the house. Also, [livejournal.com profile] arionhunter schools you on Japanese superhero aesthetics. Morrison got so much wrong, it's not even funny.

Edit on June 20th OMG I know BUT: THIS IS HOW YOU DO IT. Grant Morrison, are you taking notes?
nenena: (Default)

(Click for a larger version!)


So this Adam Hughes poster, subtitled "The Real Power of the DC Universe," has been making the rounds. And there's some debate on whether it's sexist or not.

My reactions:

1. Holy God that's GORGEOUS.
2. The women may be dressed similarly, but their individual personalities really shine through.
3. Are those... individualized... faces?! Why yes, they are!
4. Mary Marvel looks about ten years too old.
5. Oh wait, that's not Mary Marvel... it's Kate Kane?!
6. So why is the lesbian the only one wearing a pantsuit? (*headdesk*)
7. You'd think that with all of Bab's money and connections she would be able to afford a wheelchair that doesn't look so wretchedly behind the times.
8. Kara. Oh my God. Kara. She's sixteen years old, for crying out loud!
9. I can imagine both Selina and Poison Ivy taking Kara aside, either before or after the photoshoot, and giving her a good tongue-lashing. "Oh honey. That's not how you do a seductive come-hither face. That's not how you do it at all. And really, would it kill you to add an extra inch or two on your hem? You're supposed to leave a little something to their imaginations!"
10. Okay, I'll admit, the fact that EVERY SINGLE WOMAN* is wearing three-inch spike heels is pretty effing sexist. The gowns are varied and gorgeous; why can't we have a little more variety in the footwear, too?

* Granted, as was pointed out in comments, we can only see the shoes on five women, and it's kind of hard to tell what Barbara's wearing. If you ask me, though, her visible foot definitely looks pointed, so either she's resting with her foot en pointe, or she's wearing freakin' heels.

ETA: You know what this entry needs? Beefcake.

Here, let me ruin your childhood for you.

Disclaimer: Many of those characters are from Disney movies that are NOT from my childhood, actually.
nenena: (She blinded me with science!)
Recently, a rather confused blogger was unable to tell the difference between fetish lingerie and Wonder Woman's iconic outfit. For anybody else who may be confused, here is a brief guide:

NSFW behind this cut. )
nenena: (Default)
In follow-up to this:

But, Ms. Whiny Entitled Fangirl, you may ask, don't you know that sex sells? Don't you think it's unfair to ask Marvel and DC to stop making comics that appeal to the Scaly Basement-Dwelling Stereotyped Fanboy just because you want to buy a couple of their products?

The obvious answer to that is: Good comics appeal to everybody, including the Scaly Basement-Dwelling Stereotyped Fanboy. So doesn't it make more sense to make comics that more people are going to want to buy? And good comics can be sexy. They just shouldn't be sexist.

First, an observation: I'm not sure why so many guys are defending Marvel and DC's insistent push to cater only to the typical bottom-feeding Scaly Basement-Dwelling Stereotyped Fanboy in the first place. (For the sake of brevity, the Scaly Basement-Dwelling Stereotyped Fanboy shall hereby be referred to as Ghost, in honor of his comments here.) I mean, isn't that a huge insult against your gender and your hobby, you guys reading this? For the executives at Marvel and DC to treat you as if you are a desperate lonely slob who could never make it with a real woman and thus have to content yourselves with comics about scantily-clad superheroines being raped instead? To assume that you are all the Ghosts of the world? To assume that this (NSFW) is the only way to appeal to you? To assume that you would actually rather have that than this or this?

Isn't the fact that Marvel and DC target a mythical stereotype of a skeezy comics fanboy an insult to everyone across the board, whether you're male or female?

And therein lies the problem. Oh ye Ghosts of the world, let me make an assumption of my own: I think that you would enjoy this, or this, or this, or this, or this, or this. Maybe you would enjoy this (NSFW) or this (NSFS) more than all of the previous. But the point is, I bet you wouldn't NOT buy a comic because it had this on the cover. If you really wanted a Wonder Woman statue, you wouldn't NOT buy this statue just because she's not topless. You might not buy it for other reasons, but that's neither here nor there. We're talking about sex appeal in this post. Sex appeal!

But the same doesn't work in reverse. A whole lotta people are not going to buy Heroes for Hire because of that disgusting sexist cover. For example, see here. And a whole lot of people aren't going to buy that Mary-Jane statue or anything Marvel-related for a looong time, because of the fact that said statue is disgusting. Sexist and ugly. Double-threat!

So here's the issue. Sexy stuff appeals to everyone, including the Ghosts of the world. Sexist stuff may get the Ghosts of the world to fork over their hard-earned money without a blinking moment of hesitation, but it alienates a huge chunk of the potential audience that could otherwise be reached. So why not just be sexy, not sexist? Why not appeal to everyone, instead of just the scaly basement-dwelling few?

Oh, and by the way: the above-mentioned marketing model works. Runaways, a good old-fashioned teen superhero story with lots of sexiness and little sexism, is Marvel's best-selling digest in April. And for more proof that sexy money talks louder than sexist money, scroll to the bottom of this post.

I've said this before in a previous wank: Marketing towards men =/= alienating women. You can make, and market, comics that appeal to stereotypical male interests, such as manly he-men punching semitrucks and beautiful women kicking righteous ass. You can do these things without insulting or degrading anyone. Just make that beautiful woman a person and not a sex object. It's not hard to do. Give her realistic anatomy and a functional costume, give her a personality, and draw her in a pose that reflects that personality. Note that "realistic anatomy" can be hubba-hubba hot, a "functional costume" can still be sexy as hell, and a powerful action pose, such as kicking or punching, can show off a woman's anatomy without forcing her to pose like a limp blow-up doll in the process. So now, voila, you can appeal to your target demographic and not alienate anyone else who might be interested in buying your comics.

Standard disclaimer, because I really shouldn't have to explain this, but recently certain Eisner-nominated comics journalists have proven otherwise: Real, actual pornography is different. The market rules are different, and you can alienate whoever the hell you want with your sexual fantasies. But mainstream superhero comics are NOT pornography, they are NOT YOUR sexual fantasies, and any attempts to answer an argument about marketing mainstream superhero comics with examples from pornography are just really, really missing the point.

Further linkage: A marketing guy who actually knows what he's talking about makes some good points about money, and how, like, it's smart to not discourage us wimmins from spending such. ;) And Websnark weighs in with an insightful post about brand management here. And a nifty post here from Stars and Garters, which may be a new blog with only two posts, but both of them rock so far.