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Satoshi Kon passed away early this morning.

No official news sources yet, but it's been confirmed on Masao Maruyama's twitter that "an important MADHOUSE director just passed away." Maruyama has also apparently told Jim Vowles via private communication that yes, the director in question is Satoshi Kon.

Farewell, Kon-sensei. Thank you for having the vision to make Millenium Actress, my absolute favorite movie of all time. Thank you for having the brass balls to make Perfect Blue, one of the most punch-your-rape-culture-in-the-gut trope-breaking male-privilege-clue-by-fouring feminist films ever to come out of a Japanese animation studio. Thank you for breathing your special brand of gorgeous delirium into Paprika and Paranoia Agent and then having the directorial finesse to bring your audience back home safe again even when your films push them to the brink of madness.

I don't know what it was that you were chasing, but I hope that you can find it in the next life.

http://www.youtube.com/embed/jRMekFlo3H4
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Other than movies related to long-running anime series, or "movies" that consisted of a series of experimental shorts (hello Amazing Nuts!), Paprika and Toki wo Kakeru Shoujo ("The Girl Who Leapt Through Time") were the two biggest true anime movies last year. Well, them and Gedo Senki. But Gedo Senki was powerfully un-good, so we won't waste time discussing it in this post, since it's already been criticized to death all over the internet. Anyway, what's interesting about Paprika and TokiKake is that they're both based on classic science fiction novels by the same author, Tsutsui Yasutaka.

And I watched them both last week for the first time. So here are my jumbly-thoughts about both.

Paprika. Cut for vague plot-related spoilers, and explicit romance-related spoilers. But if you don't care about knowing who will hook up with who (hint: it's obvious from the beginning), go ahead and read! )

Toki wo Kakeru Shoujo. No spoilers. )